“To be an artist, you have to nurture the things that most people discard. You have to keep them alive in order to tap them. It’s been important to me my whole life not to let go of any of the things that most people would throw in the ashcan. I have to be in touch with my fragility, with the man in me, and the woman in me, the child in me … all of these things have to be kept alive. I think I photograph what I’m afraid of … things I couldn’t deal with without the camera … death, madness, when I was young, women I didn’t understand. It gave me a sort of control over those situations that was legitimate because good work was being done. And by photographing what I was afraid of, or what I was interested in, I explored and learned and laid the ghost. It got out of my system and onto the page.”

Richard Avedon ~ “Darkness and Light”

From the 1995 American Masters Series

 orange photography red rock portraitsPINME

Robb Davidson, Red Rock, NV

share on pin to tweet on email to

Wedding bells are ringing! We’re on a high after engagement season and busy booking the year up with awesome weddings. I can’t wait for all the love that’s going to explode on our calendar…

To get you in the mood, here’s a trailer of Jonelle and Sam’s awesome wedding video from their October wedding at Alta Vista. Cinema by Mission Visual.

Orange County Wedding Videography – Jonelle + Sam from Mission Visual on Vimeo.

share on pin to tweet on email to

For those of you with SLRs, this post is totally for you. For those of you that use your cameras often and want to do a little more with them, this post is so for you. Then for those of you that have always wondered how to ‘make the background blurry’ in your photos, this post is precisely for you.

This little ‘blurry background’ trick we photographers play is known as the depth of field in an image. When the entire image is sharp/in focus, it is a large depth of field. When the subject is sharp/in focus and the foreground and/or background are blurry, it is a small depth of field.

Many elements factor into the depth of field of an image, such as the lens opening, focal length, subject matter, movement, and camera-to-subject distance.

Did I lose you?

The quickest tactic to do this, in lamens terms, is to make the Aperture number smaller. That’s the number that’s 5.6 or 11 or 22. Whatever your camera or lens allows, set that number to the lowest possible, likely 5.6, 4 or even 2.8. This will give you a small depth of field, making only the desired subject sharp and the rest of the image blurry.

Make sense? Feel free to email me if you have questions.

yorba linda photographerPINME

share on pin to tweet on email to

Boudoir literally means the ‘lady’s private room.’ Every time I bring my camera to my face, I aim to enter that room.

As I explore shooting with film, I’m forced to slow down. First, to learn the components of this new instrument in my hand. Next, to think of each frame as a valuable piece of the story puzzle and to put every ounce of my efforts into every one. Then, with each shot so precious, I focus more on my subject to get them to open up as I click the shutter.

The doors to private rooms are opened and I draw closer to the true meaning of boudoir photos; it has little to do with the removal of clothing and everything to do with the breaking down of barriers. I am finding more openness and honesty with every frame. Thanks to the beautiful Britany for practicing with me and taking me to that little sun kissed room.

All images shot on film. No filters/photoshop/post production.

 

boudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINMEboudoir photographyPINME

share on pin to tweet on email to